Meta + Hodos and META Meta + Hodos. James Tenney. Frog Peak Music Amazon PDF · Home. Composer James Tenney’s Meta+Hodos was an early formulation of what he described as a “conceptual framework for musical description and. PRAXIS META†HODOS: THREE LOVE SONGS FOR JAMES TENNEY. Thesis. Submitted in partial fulfillment of the requirements for the. Degree of. Master of.
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For example, Wertheimer [I] illustrated the factors of proximity and similarity using letter diagrams such as the ones below; these diagrams can be interpreted as rudimentary musical scores if one considers each letter to represent a discrete sound, with the horizontal placement of letters indicating the placement of sounds in time and with different letters indicating different sound-qualities e.
Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Read more Read less. Ben rated it really liked it Dec 17, Until now, these writings have been very difficult to obtain, and this is probably part of the reason why they have been largely overlooked by the music theory establishment.
Request removal from index. While radical, these latter works are still essentially based on relationships of pitch and harmony; by contrast, much contemporary experimental music is music of timbre and texture, of unpitched sounds and silence.
Percorsi Musicali: Fifty Years After the Way: James Tenney’s Meta+Hodos
Amazon Music Stream millions of songs. It is important to note that the clang as a musical unit encompasses not only tone, but other qualities of musical sound such as timbre and texture. This article has no associated abstract. Subjective set describes the set of expectations a listener brings to any piece of music, based on, for example, his or her prior listening experiences and background knowledge about music and music history.
James Tenney — Meta + Hodos
Musical Form and Musical Performance. There’s a problem loading this menu right now. Please try again later. From Clang to Sequence to Form.
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Would you like to tell us about a lower price? Casey Anderson rated it it was amazing Jul 20, The Crisis of Musical Aesthetics in the 21st Century. Borrowing again from Gestalt psychology, this time from Max Wertheimer, Tenney proposes temporal placement and aural resemblance or non-resemblance as the primary factors allowing listeners to perceive individual musical events as belonging together in sequences or standing separately as independent units.
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Although these monographsemphasize the process by which listeners perceive musical forms, there are hints of a broader theory when Tenney discusses the kinaesthetics of musical experience: Refresh and try again. I’d like to read this book on Kindle Don’t have a Kindle?
Meta + Hodos and META Meta + Hodos
Sign in to use this feature. Although his insights apply broadly to traditional Western stylesand to non-Western music, Tenney concerns himself particularly with twentieth-century works by composers such as Ives, Varese and Schonberg, where conventional music theory fails: Diritti Riservati – Pubblicato da Ettore Garzia a Devin rated it really liked it Aug 17, Brian rated it really liked it Jul 04, Andi G marked it as to-read Jun 25, Consider in this context the concept of the clang.
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