Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .

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The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece. Her body language was great as well.

El vito – Wikipedia

Again, the dance begins when Berganza comes in. I love this piece!!! The line about her being too poor is especially effective with the use of staccato. Julie April 2, at 2: Ulysses April 6, at Brooklyn April 7, at The introduction of the piano was absolutely amazing it really built up the excitement for the piece.

Song Lied Mélodie: “El vito” by Obradors

It embodies so much of what one expects of the “Spanish” sound. It reminds me of Flamenco music, and I can see her move her shoulders slightly as if she’s controlling herself from breaking into Orbadors dancing. How exciting when the images are so clear from listening to a piece.


I want to play this piece now!! Obraadors there is a break in the dance again when the piano has its little interlude. I wonder if the quickly repeated notes obrafors are so difficult on the piano are an example of “punteado” as was described by Kimball in the reading. The Links and Labels below should be helpful in finding what you are looking for.

The piano part somehow reminds me of Falla’s “Polo” the repeated notes. Although the piano version is exciting, pianists should really emulate the guitar which it is obviously modeled after.

This seems like a really fun song to perform. Another example of a translation from guitar to piano. Yoshi April 10, at 9: As is the case with all of Teresa Berganza’s performances that have been shared, she has an amazing expressive power and genuine performance persona that is impeccable. The relatively lenghty prelude is really carried by the repeated notes in the piano. What a sensual piece. The guitar figures are apparent in the piano accompaniment.

April Phillips April 5, at This piece does not obradorw how I would have expected. Some of the runs sound more pianistic than guitaristic, but the majority of the writing definitely sounds guitar inspired.

It was also nice to hear a performance with a different dialect than Spanish from Spain or Mexico, which is what I’ve typically heard this piece performance.

Con el vito, vito, vito, con el vito, vito, va. And I really like Teresa Berganza’s facial expressions and body language in here.

Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)

Another thrilling piece that keeps you on the edge of your seat! She brings so much nuance to the character, and what a piano part!


From the “no, no” to the fiesty “Ay! It was so nice to hear it performed by such an obradlrs vocalist. Beverly April 8, at 8: Vincent April 10, at 8: Berganza’s ability to maintain the crisp, piano sections of the vocal line and then sing in full legato later create an exciting performance.

I really can imagine a woman in a sea obfadors bullfighters. Newer Post Older Post Home. Sunday, March 22, “El vito” by Obradors.

It looks so fun to perform. The piano is very reminiscent of the guitar with the repetitions, and the singer uses her face very well to interpret the text. How to navigate this site: She communicates so much with just her eyes. You have these lithe and bouncing stacatti oradors that serve as the buildup to the larger, sweeping melodic figures, giving the entire piece a sense of tension and release.

Ednaldo Borba April 12, at 1: Sarah Brauer April 9, at She is precise, but so comfortable and relaxed, creating natural rubato within each phrase. Need to say it again: Thank obtadors for posting it for us. Stop your teasing, sir, else I’ll blush!